Why the Rhône and Arve never fully mix at Geneva's Jonction bridge, Pulitzer-winning photographer Melissa Farlow on unfinished stories, and Keith Armstrong's rediscovered disability-rights archive.
There's much to appreciate in this post, Gavin--from your lovely photographs of the Rhône and Arve confluence to your introducing me to Melissa Farlow's (!) and Keith Armstrong's work.
I found Farlow's images to be particularly striking--inspiring me to shift from reading your post in Gmail to seeing the images in a larger format on my computer. How on earth did she capture "Cowgirl Heidi Redd"? The action is amazing and the lighting is spectacular--with her whip arcing up toward the sun. Was Farlow following Redd on horseback??? That might be the most amazing photograph I've seen in 2026.
There's much to appreciate in this post, Gavin--from your lovely photographs of the Rhône and Arve confluence to your introducing me to Melissa Farlow's (!) and Keith Armstrong's work.
I found Farlow's images to be particularly striking--inspiring me to shift from reading your post in Gmail to seeing the images in a larger format on my computer. How on earth did she capture "Cowgirl Heidi Redd"? The action is amazing and the lighting is spectacular--with her whip arcing up toward the sun. Was Farlow following Redd on horseback??? That might be the most amazing photograph I've seen in 2026.
Wow, just, wow!